Malcolm Delaney-Highlights Euroleague 2015/2016
Some people take unique paths to success in the NBA. Some do it the traditional way: go to college, get drafted, succeed with the team that drafted them until they sign an extension with that team or go elsewhere in free agency. That has been the tried and true method for the most part to NBA success.
However, there are stories where players take a different road to NBA success. For example, Hassan Whiteside, probably left Marshall a year too early, was drafted in the second round by the Sacramento Kings, where he failed to adjust to their roster and the NBA game in two seasons, and knocked around the D-League and in China until he got an opportunity with the Miami Heat. After succeeding as one of the best “traditional” big men in the league last year, the Heat rewarded him lucratively this off-season, and with Dwyane Wade gone, he seems primed to be the Heat’s building block for years to come.
Whiteside’s story is nice. Those stories show that you can’t label someone a “bust” within the first few years of their career. And, it shows that even if a player might not find success in the NBA initially, there is always a chance they can develop as a player and mature into a NBA-quality player.
Malcolm Delaney is the next in line of great “late bloomer” players.
Of course, we have no idea if Delaney is a “late bloomer” or not because he’s been pretty fucking good for most of his basketball career since college. The East Baltimore native, is a dynamic player who shined as Virginia Tech’s primary combo guard, but because the NCAA is stupid and corrupt, they ended up shutting the Hokies out of the NCAA Tournament during Delaney’s two best seasons in college. (Because of “strength of schedule” or some other bullshit; I don’t know. The NCAA doesn’t have any criteria for anything.) Due to this “lack of exposure” on the big stage in college (i.e. the Tourney), Delaney went undrafted, mainly because he played for a basketball program that pales in comparison to its football program in terms of profile, attention, and fan and school investment.
However, after not making a NBA team, Delaney took his talents to Europe, where he’s done nothing but kick ass and take names as a big, athletic, sweet-shooting point guard. He went to Elan Chalon of the LNB in France, and impressed in his professional debut. After a successful rookie year in Europe, he made his way to Ukraine, to play for Ukrainian league power BC Budivelnyk, where he made first-team All-Eurocup, despite it only being his second year out of college. And, in his third season, he made the leap to a higher profile club and scene, transferring to FC Bayern Munich of Germany, where he helped Bayern qualify automatically for the Euroleague by helping them take the BBL crown 3-1 over Alba Berlin, earning Finals MVP honors in the process.
Despite a season where he is was named a Eurocup First-Team players, and BBL Finals MVP, Delaney still didn’t seem to get the respect he deserved from the States. The NBA still didn’t call, and he was making too much money to go settle for paltry amounts in the D-League. So, in 2014-2015, he signed a 1+1 contract (the other 1 being a player option) with Lokomotiv Kuban of Russia, where they were looking to be a major player in the European scene after years of deferring to major Moscow clubs like CSKA, Khimki and Unics.
This season, Delaney, after exercising his contract at the end of 2015, was arguably Loko’s best player, and that was saying something considering this team had Anthony Randolph, a former NBA lottery pick, and Victor Claver, a former NBA player. Delaney cut people up in the pick and roll with his three stretch bigs Randolph, Claver and Chris Singleton, not necessarily in the traditional way, where he would hit them rolling to the basket, but by attacking the rim off the ball screen (and hitting them on the pop) or shooting from beyond the arc if they went under the screen and didn’t hedge. Delaney routinely torched defenders and defenses this year, as he shot over 40 percent from beyond the arc, and had a 60.5 true shooting percentage. What was even more incredible was Delaney also had a 0.52 FT/FGA ratio and a 0.52 3FG/FGA ratio. What the fuck does this mean? Well, these numbers show that he got to the free throw line a tremendous amount (which means he wasn’t afraid to get to the rim or absorb contact) and he relied a lot on the three-point shot (more than half of his field goal attempts were threes). To have a guy who can do BOTH of these things is an analytic-guy’s wet dream, and it makes sense that an analytic-heavy organization like the Atlanta Hawks (with their analytic-driven head coach Mike Budenholzer) would sign a player like Delaney, which they did to the tune of a two-year contract this summer.
Granted, I would have loved to see Delaney return to the Euroleague, perhaps on a different team since Loko did not make the Euroleague’s 16-team field. (It would have been awesome to see him and Georgios Bartzokas reunited on Barcelona.) However, Delaney deserves this contract from the Hawks, and to be in the NBA. He’s worked his ass off to get this far, and he has the skill set, attitude (dude is a straight out competitor, no bullshit), and the kind of personality that will endear to the Hawks’ growing millennial fanbase (low key, his twitter account is great). Europe will miss him, but Delaney deserves this opportunity in the NBA. It’s his time, and I guarantee you NBA teams will be wondering why teams gave guys like Austin Rivers so many chances when Delaney was waiting in Europe the whole time (oh yeah…I forgot why Rivers is still in the NBA…nepotism).
Childish Gambino featuring Jhene Aiko-“Pink Toes”
I am becoming a bigger and bigger fan of rappers today. From the late 90’s to mid 2000’s, the rap scene had become a bit stagnant. Rappers kind of evolved into heavy metal musicians of sort: they all were the same, and a lot of their music touched on the same subjects. Now, I’m not saying the rap game was a complete desert at the time. You still had Jay-Z, you had Eminem in his peak, and you still had Kanye West pre-Kim Kardashian. (The best Kanye period really; he was spitting fire as a rapper and a producer; and then one Taylor Swift beef and a marriage to a reality TV star and he’s gone off the rails and hasn’t produced his best shit; I’m waiting for a Kim divorce to get Kanye back to being Kanye musically.) However, other than that, other than a few artists and tracks here and there, rap kind of failed to differentiate itself artistically and musically.
Since then though, rap has been flooded with talent who not only offer a bevy of different skills and sounds, but talents as well. Action Bronson used to be a chef of a high-end restaurant. Drake has succeeded as an actor (Degrassi), rapper, and courtside staple at Raptors game (seriously, Drake got everyone to give a fuck about the Raptors again post-Vince Carter). And Lupe Fiasco is one of the most intelligent, thoughtful activists in the United States today (as well as one of the most creative rappers in the game as well). Rap is going through a renaissance, as different backgrounds and education have produced rappers who aren’t just categorized by their music or appearance, but by their bevy of skills and talents that display the well-roundedness of these young savants of this art-form today.
One of the biggest talents in the rap game today is Childish Gambino. A former actor on 30 Rock and Community, Gambino has captured fans in the Hip-Hop game with his ear-snaring beats as well as thoughtful, multi-layered lyrics. One song that I particularly enjoy is “Pink Toes” a collaboration with Jhene Aiko from his album Because the Internet which came out in 2013. For those who don’t know what the phrase “Pinktoe” means, this is one of its definitions, according to Urban Dictionary:
PinktoeRefers to caucasian-female,you got yourself a pinktoe.
The song is primarily about a black guy finding himself in a different environment from what he is used to, with “pink toes” (i.e. white girls) being what primary attracts his attention in this new environment. It’s a bit of a relevationary track from Gambino, as the main chorus (“Rainbows…Sunshine”) refers to a different place, or a refreshing change of scenery from what Gambino has been exposed to previously in life. This song could have been in reference to maybe when Gambino first arrived at Tisch School of the Arts, where he would have probably been one of the few minorities at the prestigious arts school in New York, and everything seemed so different from what he was used to during adolescence.
I think this song coordinates with Delaney in a multitude of ways. First, it’s an upbeat track, and Delaney deserves an upbeat track after finally making it to the league after years of scrapping and working toward his ultimate goal. Secondly, I could see Delaney feeling a lot of the similar emotions Gambino echoes in this track when he first arrived in Europe from Virginia Tech. Instead of pink toes though, I think the basketball court was what attracted him and ensnared him: the different kind of game, rules, and fans that Europe provided in comparison what he was used to in college (which was usually lukewarm Hokie fans who didn’t give a shit about their basketball team until late January; after bowl season was over). And for Delaney, yes it wasn’t the NBA, but he embraced the European game, and before you knew it, fans from France, Germany and Russia (and Europe all over, really) embraced him.
It would be cool if Delaney walked into the Hawks arena after signing his contract with this booming in the background. Because again, I’m sure Gambino’s 2013 track will resonate with him once again next year. Things will be different. The NBA will have brighter lights. More production value. The best of the best will be around him on the court on game day. And I’m sure there will be plenty of groupie “pinktoes” looking for a “companionship” (i.e. sex if you’re that dim) after games, especially in ones where Delaney tears it up.
Enjoy the sunshine of the NBA, Delaney. You deserve it.